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Historical Novels

A Tale Of Two Cities

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About the book

This is the illustrated and annotated edition including an extensive biographical essay about the author and his life as well as a wealth of original illustrations. You will also find a detailed introduction (which is not included in other editions) regarding the history of the title and many insights. A Tale of Two Cities differs essentially from all of Dickens' other novels in style and manner of treatment. Forster, in his 'Life of Dickens,' writes that "there is no instance in his novels excepting this, of a deliberate and planned departure from the method of treatment which had been pre-eminently the source of his popularity as a novelist." To rely less upon character than upon incident, and to resolve that his actors should be expressed by the story more than they should express themselves by dialogue, was for him a hazardous, and can hardly be called an entirely successful, experiment. With singular dramatic vivacity, much constructive art, and with descriptive passages of a high order everywhere, there was probably never a book by a great humorist, and an artist so prolific in conception, with so little humor and so few remarkable figures. Its merit lies elsewhere. The two cities are London and Paris. The time is just before and during the French Revolution. A peculiar chain of events knits and interweaves the lives of a "few simple, private people" with the outbreak of a terrible public event. Dr. Manette has been a prisoner in the Bastille for eighteen years, languishing there, as did so many others, on some vague unfounded charge. His release when the story opens, his restoration to his daughter Lucie, the trial and acquittal of one Charles Darnay, nephew of a French marquis, on a charge of treason, the marriage of Lucie Manette to Darnay,— these incidents form the introduction to the drama of blood which is to follow. Two friends of the Manette family complete the circle of important characters: Mr.

Editions (30)

ISBN9783849643041
PublisherJazzybee Verlag
Publication Date02/26/14
Pages473

Reviews & Ratings

88 ratings

9 reviews

3.6

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  • lulia197
    lulia197

    86 Followers

    4.0

    Definitiv ein Klassiker! Ohne die Wikipedia-Inhaltsangabe hätte ich den Inhalt aber auch einfach nicht gerafft 😅 Ich musste nach jedem Kapitel nachlesen, ob ich das denn alles auch richtig verstanden habe. Inhaltlich genau mein Geschmack: Intrigen, menschliche Verwirrungen und Verirrungen, Tragik und ein dramatisches Ende. Ich bereue es auf keinen Fall!

    Feb 5, 2026

  • resisdreams
    resisdreams

    79 Followers

    5.0

    Für mich die düsterste Geschichte, die ich von Charles Dickens gelesen habe.

    Bis zur Hälfte des Buches war ich verwirrt. Es kamen viele Personen vor, und der Wechsel der Orte war für mich nicht immer ersichtlich. Doch dann ergab alles Sinn. Der Schluss war für mich ausschlaggebend für die Bewertung. Insgesamt finde ich, dass es ihm auch gut gelungen ist, die Stimmung der Zeit einzufangen.

    Für mich die düsterste Geschichte, die ich von Charles Dickens gelesen habe.

    Oct 30, 2025

  • sarinareads
    sarinareads

    6 Followers

    4.5

    This impressed me above all through its language. The plot itself is not particularly fast-paced; events do not unfold one after another in rapid succession, and even the most dramatic turning points are rarely presented as abrupt ruptures. Instead, it becomes a genuine page-turner because of the voice of its narrator. Through poetic and philosophically existential reflections, Dickens creates an overwhelmingly tense and unsettling atmosphere that sustains the suspense. These passages never feel excessive or pretentious; they are simply beautifully written. I also deeply admire how Dickens handles the central motif of fate. It is embodied in Madame Defarge’s knitting, through which she records the revolution and the people involved in it. Her knitting is at once a diegetic element and a metaphorical thread of fate, blurring the boundaries between narrative reality and symbolism because she obviously records individual people’s fate in her knitting. Equally impressive is Dickens’ treatment of duality. As the title itself promises, the novel constantly reflects on oppositions without ever reducing them to simplistic binaries. This is perhaps best exemplified by Charles Darnay and Sydney Carton. They are counterparts and two sides of the same coin, yet not in terms of good and evil. Carton is shaped by disappointment, melancholy, and a sense of wasted potential, whereas Darnay’s life appears marked by fortune and fulfilment. A lesser novel might have turned Carton into a resentful rival seeking redemption only after committing wrongs. Instead, both men remain fundamentally good people. Their contrasting life paths reinforce the novel’s exploration of fate, inheritance, self-reinvention, and metaphorical rebirth. Dickens weaves all of these themes and more together with remarkable subtlety and depth. A stunning novel!

    Jun 16, 2026

3 of 9 reviews

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