The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream, presented here with enlightening commentary and criticism
Willy Loman, the protagonist of Death of a Salesman, has spent his life following the American way, living out his belief in salesmanship as a way to reinvent himself. But somehow the riches and respect he covets have eluded him. At age 63, he searches for the moment his life took a wrong turn, the moment of betrayal that undermined his relationship with his wife and destroyed his relationship with Biff, the son in whom he invested his faith. Willy lives in a fragile world of elaborate excuses and daydreams, conflating past and present in a desperate attempt to make sense of himself and of a world that once promised so much.
Since it was first performed in 1949, Arthur Miller's Pulitzer Prize-winning drama about the tragic shortcomings of an American dreamer has been recognized as a milestone of the theater. This Viking Critical Library edition of Death of a Salesman contains the complete text of the play, typescript facsimiles, and extensive critical and contextual material including:- Conflicting reviews about its opening night by Robert Garland, Harold Clurman, Eleanor Clark, and others- Five articles by Miller on his play, including "Tragedy and the Common Man" and his "Introduction to Collected Plays"- Critical essays by John Gassner, Ivor Brown, Joseph A. Hynes, and others- General essays on Miller by William Weigand, Allan Seager, and others- Analogous works by Eudora Welty, Walter D. Moody, Tennessee Williams, and Irwin Shaw- The stage designer's account, presented in selections from Designing for the Theatre by Jo Mielziner- An in-depth introduction by the editor, a chronology, a list of topics for discussion and papers, and a bibliography
„A man who can't handle tools is not a man. You’re disgusting.“
Unangenehme Figuren und nervige Dialoge - ich konnte diesem „Meisterwerk“ nicht viel abgewinnen.
Mar 6, 2026
2.0
„A man who can't handle tools is not a man. You’re disgusting.“
Unangenehme Figuren und nervige Dialoge - ich konnte diesem „Meisterwerk“ nicht viel abgewinnen.
The book is understandable, but also confusing. The main character suffers from hallucinations from his past. For this reason, the book jumps back and forth from past and present
May 28, 2024
2.0
The book is understandable, but also confusing. The main character suffers from hallucinations from his past. For this reason, the book jumps back and forth from past and present
What an interestingly-told tragedy.
I thought this play was good, good enough to scratch the recent itch I've had for plays, but not good enough to highly praise or earn higher than a 3-star rating.
Willy is a 60-year-old salesman who has been let go, his usefulness has expired. Adrift, lost, and unsure of what to do next, his mood swings dangerously as tensions with his two sons rise higher.
He doesn't realize that his self-sabotaging mindset is, in large part, a factor in his great unhappiness in life.
May 30, 2025
4.0
What an interestingly-told tragedy.
I thought this play was good, good enough to scratch the recent itch I've had for plays, but not good enough to highly praise or earn higher than a 3-star rating.
Willy is a 60-year-old salesman who has been let go, his usefulness has expired. Adrift, lost, and unsure of what to do next, his mood swings dangerously as tensions with his two sons rise higher.
He doesn't realize that his self-sabotaging mindset is, in large part, a factor in his great unhappiness in life.