Marion Zimmer was born in Albany, NY, on June 3, 1930, and married Robert Alden Bradley in 1949. Mrs. Bradley received her B.A. in 1964 from Hardin Simmons University in Abilene, Texas, then did graduate work at the University of California, Berkeley, from 1965-67. She was a science fiction/fantasy fan from her middle teens, and made her first sale as an adjunct to an amateur fiction contest in Fantastic/Amazing Stories in 1949. She had written as long as she could remember, but wrote only for school magazines and fanzines until 1952, when she sold her first professional short story to Vortex Science Fiction. She wrote everything from science fiction to Gothics, but is probably best known for her Darkover novels. In addition to her novels, Mrs. Bradley edited many magazines, amateur and professional, including Marion Zimmer Bradley's Fantasy Magazine, which she started in 1988. She also edited an annual anthology called Sword and Sorceress for DAW Books. Over the years she turned more to fantasy; The House Between the Worlds, although a selection of the Science Fiction Book Club, was "fantasy undiluted". She wrote a novel of the women in the Arthurian legends -- Morgan Le Fay, the Lady of the Lake, and others -- entitled Mists of Avalon, which made the NY Times best seller list both in hardcover and trade paperback, and she also wrote The Firebrand, a novel about the women of the Trojan War. Her historical fantasy novels, The Forest House, Lady of Avalon, Mists of Avalon are prequels to Priestess of Avalon She died in Berkeley, California on September 25, 1999, four days after suffering a major heart attack. She was survived by her brother, Leslie Zimmer; her sons, David Bradley and Patrick Breen; her daughter, Moira Stern; and her grandchildren.
Product Description
Blending archaeological fact and legend, the myths of the gods and the feats of heroes, Marion Zimmer Bradley breathes new life into the classic tale of the Trojan War-reinventing larger-than-life figures as living people engaged in a desperate struggle that dooms both the victors and the vanquished, their fate seen through the eyes of Kassandra-priestess, princess, and passionate woman with the spirit of a warrior.
From Publishers Weekly
The author of The Mists of Avalon here "vividly recounts" the Trojan War. "Although these mythic figures stumble through some petty, rather too modern dialogue," PW found that "Bradley animates . . . the conflicts between a culture that reveres the strength of women and one that makes them mere consorts of powerful men." Copyright 1988 Reed Business Information, Inc.
Review
"Bradley animates...the conflicts between a culture that reveres the str
“Before the birth of Paris, Hecuba, Queen of Troy, dreamed that she had given birth to a firebrand who would burn down the walls of Troy.” PROLOGUE All day the rain had been coming down; now heavy, now tapering off to showers, but never entirely stopping. The women carried their spinning indoors to the hearth, and the children huddled under the overhanging roofs of the courtyard, venturing out for a few minutes between showers to splash through the brick-lined puddles and track the mud inside to the hearthside. By evening, the oldest of the women by the hearth thought she might go mad with the shrieking and splashing, the charging of the little armies, the bashing of wooden swords on wooden shields, the splintering sounds and quarreling over the broken toys, the shifting of loyalties from leader to leader, the yells of the “killed” and “wounded” when they were put out of the game. Too much rain was still coming down the chimney for proper cooking at the hearth; as the winter day darkened, fires were lighted in braziers. As the baking meat and bread began to smell good, one after another the children came and hunched down like hungry puppies, sniffing loudly and still quarreling in undertones. Shortly before
Marion Zimmer Bradleys Die Feuer von Troia bietet eine fesselnde und tiefgründige Neuinterpretation der klassischen Troia-Sage, indem sie die Geschichte konsequent aus der tragischen Perspektive der Seherin Kassandra erzählt, deren Voraussagen über den Untergang der Stadt ignoriert werden.
Der Roman beleuchtet meisterhaft die emotionalen Konflikte Kassandras und rückt die weiblichen Figuren in den Vordergrund. Gleichzeitig thematisiert Bradley den kulturellen Konflikt zwischen dem alten, der Muttergöttin verbundenen Matriarchat und dem aufkommenden männlichen Olymp-Kult, was dem bekannten Mythos eine spannende und zu reflektierende Ebene hinzufügt.
Das Buch ist somit ein Muss für Fans von historischer Fantasy und bietet eine detailverliebte und doch ganz neue Sicht auf den Trojanischen Krieg.
Nov 9, 2025
4.5
Marion Zimmer Bradleys Die Feuer von Troia bietet eine fesselnde und tiefgründige Neuinterpretation der klassischen Troia-Sage, indem sie die Geschichte konsequent aus der tragischen Perspektive der Seherin Kassandra erzählt, deren Voraussagen über den Untergang der Stadt ignoriert werden.
Der Roman beleuchtet meisterhaft die emotionalen Konflikte Kassandras und rückt die weiblichen Figuren in den Vordergrund. Gleichzeitig thematisiert Bradley den kulturellen Konflikt zwischen dem alten, der Muttergöttin verbundenen Matriarchat und dem aufkommenden männlichen Olymp-Kult, was dem bekannten Mythos eine spannende und zu reflektierende Ebene hinzufügt.
Das Buch ist somit ein Muss für Fans von historischer Fantasy und bietet eine detailverliebte und doch ganz neue Sicht auf den Trojanischen Krieg.
Dieser dramatische Roman über die Seherin Kassandra und den Untergang Trojas ist die unvergessliche Version einer Frau, die Geschichten und Mythen des Altertums lebendig werden lässt und aus weiblicher Sicht die Geschichte neu deutet.
Es war ein spannendes Buch, an einigen Stellen war es leider doch mal etwas langatmig.
Oct 16, 2023
3.0
Ein Mythos erzählt aus der Sicht einer Frau!
Dieser dramatische Roman über die Seherin Kassandra und den Untergang Trojas ist die unvergessliche Version einer Frau, die Geschichten und Mythen des Altertums lebendig werden lässt und aus weiblicher Sicht die Geschichte neu deutet.
Es war ein spannendes Buch, an einigen Stellen war es leider doch mal etwas langatmig.