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Insp. John Appleby is puzzled by the death of Philip Ploss. Who would want to kill such a harmless, quiet man known for writing mid-level nature poetry? . . .
Poetry is what Sheila Grant overhears two men discussing on a train outside Edinburgh. Their whole conversation seems absurd to her, especially after one of them misquotes the poet Swinburne. Unfortunately, her discovery quickly places her in danger . . .
Meanwhile back in London, Appleby learns of a kidnapping on a train in Scotland and senses a connection to Ploss's murder. Locating Sheila will certainly lead Appleby to Ploss's killer, but only if he finds her alive . . .
"You'd let a cobra walk all over you before you'd put this one down to defend yourself." --The New Yorker
"Very exciting, full of most painstakingly described violent action." --The Observer
"For sheer excitement and picturesque melodrama The Secret Vanguard will delight everyone." --New Statesma
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