The Last Thing to Burn
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Description
'One of the best thrillers I have read in years' THE OBSERVER
'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH
'Short, sharp shocker' THE TIMES
'An early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows how she got to the UK: no one knows she is there. Visitors rarely come to the farm; if they do, she is never seen.
Her husband records her every movement during the day. If he doesn't like what he sees, she is punished.
For a long time, escape seemed impossible. But now, something has changed. She has a reason to live and a reason to fight. Now, she is watching him, and waiting . . .
'A true nail-biter' THE GUARDIAN
'Ratchets up the tension to the point where I had to check my pulse' LIZ NUGENT
'Heart-stoppingly suspenseful, a masterclass in tension' ERIN KELLY
'An unbearably tense read, with incredible writing' RAGNAR JONASSON
'I could not stop reading this! Brilliantly done' DENISE MINA
'Sensational. Claustrophobic, compulsive, and almost unbearably tense it's a heart-in-mouth read that's packed with suspense. Readers will be saying 'just one more page' all the way from the gripping beginning to the heart-stopping end' C.L. TAYLOR
'Seriously nail-biting stuff! I raced through it, my heart in my mouth' EMMA CURTIS
'Tremendously powerful and fantastically written, heart-stopping from page one. Expect to see it on all the award lists' SARAH HILARY
Book Information
Posts
Emotional
Wirklich eine klaustrophobische Geschichte. Man konnte sich gut in Than reinversetzen. So viel Trauma und man hat alles mitgefühlt. Das Ende ging mir im Nachgang etwas zu schnell und man hat sich die ganze Zeit gedacht „was machst du da mensch“. Ich hätte es gerne etwas anders gehabt aber letztendlich war auch ganz gut. Ich habe mir Lenns Akzent bloß nie als Englisch vorstellen können, in meinem Kopf hatte er einen Südstaaten Akzent
Description
'One of the best thrillers I have read in years' THE OBSERVER
'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH
'Short, sharp shocker' THE TIMES
'An early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows how she got to the UK: no one knows she is there. Visitors rarely come to the farm; if they do, she is never seen.
Her husband records her every movement during the day. If he doesn't like what he sees, she is punished.
For a long time, escape seemed impossible. But now, something has changed. She has a reason to live and a reason to fight. Now, she is watching him, and waiting . . .
'A true nail-biter' THE GUARDIAN
'Ratchets up the tension to the point where I had to check my pulse' LIZ NUGENT
'Heart-stoppingly suspenseful, a masterclass in tension' ERIN KELLY
'An unbearably tense read, with incredible writing' RAGNAR JONASSON
'I could not stop reading this! Brilliantly done' DENISE MINA
'Sensational. Claustrophobic, compulsive, and almost unbearably tense it's a heart-in-mouth read that's packed with suspense. Readers will be saying 'just one more page' all the way from the gripping beginning to the heart-stopping end' C.L. TAYLOR
'Seriously nail-biting stuff! I raced through it, my heart in my mouth' EMMA CURTIS
'Tremendously powerful and fantastically written, heart-stopping from page one. Expect to see it on all the award lists' SARAH HILARY
Book Information
Posts
Emotional
Wirklich eine klaustrophobische Geschichte. Man konnte sich gut in Than reinversetzen. So viel Trauma und man hat alles mitgefühlt. Das Ende ging mir im Nachgang etwas zu schnell und man hat sich die ganze Zeit gedacht „was machst du da mensch“. Ich hätte es gerne etwas anders gehabt aber letztendlich war auch ganz gut. Ich habe mir Lenns Akzent bloß nie als Englisch vorstellen können, in meinem Kopf hatte er einen Südstaaten Akzent