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This Monstrous Thing

3,4(7)
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A wildly creative Gothic fantasy retelling of Frankenstein, This Monstrous Thing is a wholly new reimagining of the classic novel by Mary Shelley and is perfect for fans of retellings such as Cinder by Marissa Meyer, fantasy by Libba Bray and Cassandra Clare, and alternative history by Scott Westerfeld.In an alternative steampunk fantasy world where some men are made from clockwork parts and carriages are steam powered, Alasdair Finch, a young mechanic, does the unthinkable after his brother dies: he uses clockwork pieces to bring Oliver back from the dead.But the resurrection does not go as planned, and Oliver returns more monster than man. Even worse, the novel Frankenstein is published and the townsfolk are determined to find the real-life doctor and his monster. With few places to turn for help, the dangers may ultimately bring the brothers together—or ruin them forever.- A Frankenstein Retelling: A wholly new reimagining of Mary Shelley's classic, where young mechanic Alasdair Finch uses forbidden science to bring his brother, Oliver, back from the grave.- YA Historical Fantasy: Step into an alternative 1818 Geneva, a city of steam-powered carriages where men with clockwork parts are both a marvel and a menace.- A Monstrous Secret: When the resurrection goes wrong, Oliver returns as something more monster than man, forcing the brothers to conceal the shocking truth of what Alasdair has done.- A Dangerous Obsession: The publication of a certain gothic novel ignites a real-life monster hunt, and the townsfolk are determined to find the truth behind the fiction-at any cost.

Editionen (1)

ISBN9780062382771
VerlagHarperCollins
Erscheinungsdatum22.09.15
Seitenzahl384

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7 Bewertungen

2 Rezensionen

3,4

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  • auntieterror
    auntieterror

    43 Follower

    3,0

    3.3 stars. My review is going to be full of pet-peeving, I fear. [Prtf]

    8. Nov. 2022

  • siri.keeton
    siri.keeton

    4 Follower

    5,0

    This is a tale of two brothers struggling in a gothic steampunk era. The one more despicable and monstrous than the other. We follow Alasdair, narrating the story. Having reanimated his dead brother, he now keeps him hidden in a gloomy castle. And Oliver doesn't particularly like it. Being isolated and lonely he stuggles with self-loathing and gnawing self-doubt. Being born into a family of Shadow Boys (manufacturers of clockwork-prostethics) the Finch family has to do their work in secret, due to societal prejudices towards clockwork-(wo)men. The growth, or rather growing up, Alasdairs is the beating heart of the story. Throughout his journey he matures to take responsibility for his work, reflect emotionally (with a little help) and draw the consequences from it. I loved the writing style and the first POV, the dark secrets that made the characters interesting and believable. I kept going from sympathizing with Alasdair to wanting to just slap him silly for what he does or doesn't do! I loved Oliver from the first scene, not only because he's so broken, angry and sassy but because he's so incredibly, unimaginatively good. Lee paints such a grand brotherly love, that I struggle to comprehend how could he forgive him for what he's done?. Because I cannot. In the end it was still about Alasdair finding his way to live. Utterly devoid of YA-tropes, this was a very pleasing read.The story is told in two timelines: in the present we follow Alasdair through the physical world and in the flashbacks we see the events that are the source of his suffering. At the same time the flashbacks are the way Lee lets meet the reader and Oliver, before his death. The ending is very satisfying and leaves me longing for a novella. I'll def. read her other books!

    30. Okt. 2024

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