Idlewild

Idlewild

Taschenbuch
5.02

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Beschreibung

NAMED A BEST BOOK OF THE YEAR BY: Vox * The Paris Review * NPR * Vanity Fair / A FINALIST FOR THE L.A. TIMES BOOK PRIZE FOR FIRST FICTION

James Frankie Thomas’s Idlewild is a darkly funny story of two adults looking back on their intense teenage friendship, in a queer, trans, and early-Internet twist on the Manhattan prep school novel.

Idlewild is a tiny, artsy Quaker high school in lower Manhattan. Students call their teachers by their first names, there are no grades, and every day begins with 20 minutes of contemplative silence in the Meetinghouse. It is during one of those meetings that an airplane hits the Twin Towers.

For two Idlewild outcasts, 9/11 serves as the first day of an intense, 18-month friendship. Fay is prickly, aloof, and obsessed with gay men; Nell is shy, sensitive, and obsessed with Fay. The two of them bond fiercely and spend all their waking hours giddily parsing their environment for homoerotic subtext.

Then, during rehearsals for the fall play, they notice two sexually ambiguous boys who are potential candidates for their exclusive Invert Society. The pairs become mirrors of one another and drive each other to make choices that they’ll regret for the rest of their lives.

Looking back on these events as adults, the estranged Fay and Nell trace that fateful school year, recalling backstage theater department intrigue, antiwar demonstrations, smutty fanfic written over AIM and a shared dial-up connection—and the spectacular cascade of mistakes, miscommunications, and betrayals that would ultimately tear the two of them apart.

Buchinformationen

Haupt-Genre
Romane
Sub-Genre
Zeitgenössische Romane
Format
Taschenbuch
Seitenzahl
400
Preis
16.50 €

Beiträge

1
Alle
5

When I started this book, I wasn't really sure what it was about, just that it was about being trans* (which is mostly implicit) and going to a Quaker school (I have to admit I was attacked by the statement that most poeple who are not familiar with Quakers mix them up with Amish people so I guess I learned a lot). I struggled on the first few pages with getting in to the story, mostly because of the unique writing style, and wasn't sure whether I would get along with this book, until I got obsessed with it and wasn't able to lay it down. Admittedly, you have to get used to the writing style that so perfectly captures everything this book is about. Early internet culture with lots of movie references, early internet slang, the cynism of milleanial youth in general and (queer) outcasts specifically. The story retells the friendship between Nell and Fay, from their adult selves in retrospectives alternating with chapters writting in the "we"-perspective of the "F+N Unit". And while it took me a while to get used to it, I came to love how this captured the intertwinedness of both who at some point fail to distinguish their thoughts. And the complexity of their relation was just marvelous. I am always advocating for more complex and nuanced friendships, more destructive and toxic friendships, more friendships with large emotional impact and life-changing affects, and this was just perfect. Because while Fay and Nell appear to be thinking and acting in unisono, being inseperable to the point of never really being apart, this was also what makes their relation slightly toxic. Especially since there are many moments in which they do not share their real thoughts - Fay recalls later that Fay remembers best all the things they haven't said to each other. The friendship starts with Nell having a crush on Fay that is not reciprocrated and even though her obsession with Fay seems to be extremely unhealthy, I liked how the alternating POVs and developments lead to a constant switch between whose obsession in this friendship seems more unhealthy. I also liked how you are aware that their relationship IS unhealthy but also beautiful and close in other instants, capturing the ambiguity and complexity of human relations. It is also story about going to a Quaker high school, about queerness, about fetishizing fan fictions, about theater, about hidden racism, about witnessing 9/11, and about navgiating social relations as a teenager. It feels sarcastic, absurd, and funny in some instants and extremely dark, cruel, and toxic in others. Things keep spiraling down and maybe that is exactly what captured me the most. The underlying topics of gender dysphoria and mental health are barely actively addressed but nevertheless incorporated so well into the story that they remain the main topics which is just another example of how well-written this book was.

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