Against All Gods
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Beschreibung
A vibrant and powerful epic set against an alternate Bronze Age, this tale of gods, men and monsters, conspiracy and war, is a rich, compelling and original read from a master of the historical and fantasy genres. The people caught up in toils of the gods are merely trying to survive. Victims of vicious whims, trapped by their circumstances or pushed beyond what the mortal frame can bear, a handful of god-touched mortals - a scribe, a warlord, a dancer and a child - are about to be brought together in a conspiracy of their own.
A conspiracy to reach the heavens, and take down the corrupt and aging gods . . . who are already facing troubles of their own . . .
An epic which draws on the Greek mythology of gods and heroes, this new trilogy is a must read for fans of Dan Simmons and Madeline Miller alike.
Praise for Miles Cameron:
'Utterly, utterly brilliant. A masterclass in how to write modern fantasy - world building, characters, plot and pacing, all perfectly blended. Miles Cameron is at the top of his game' John Gwynne, author of The Faithful and the Fallen series
'Cold Iron is fantastic. It shimmers like a well-honed sword blade' Anna Smith Spark, author of The Court of Broken Knives
'Promising historical fantasy debut featuring an expansive cast, an engaging plot, and a detailed eye for combat' The Ranting Dragon on The Red Knight
'Literate, intelligent, and well-throughout . . . a pleasingly complex and greatly satisfying novel' SFF World on The Red Knight
Buchinformationen
Beiträge
There are books that entertain, books that challenge, and then there are books like "Against All Gods" by Miles Cameron—a literary sledgehammer wrapped in mythological grandeur and dark humor. This isn’t just another fantasy epic with gods and mortals locked in an eternal chess game; it's a ruthless dissection of power, vanity, and the often grotesque absurdity of divine authority. Cameron pulls no punches, presenting gods not as ethereal paragons but as petty, megalomaniacal tyrants plagued by the same insecurities and vices as the mortals they disdain. Enkul-Anu, the paranoid king of the gods, rules not with wisdom but with the fragile ego of someone perpetually fearing his own irrelevance. His divine court isn’t a pantheon of awe-inspiring deities but a chaotic assembly of schemers, drunkards, and narcissists, each more delightfully detestable than the last. Amidst this celestial farce stand the mortals—ragtag, flawed, painfully human. Zos, the aging mercenary with a heart begrudgingly in the right place; Era, a fierce and unapologetically vibrant performer who refuses to be reduced to a mere side note in the gods' narratives; and Gamash, the archetype of the tragic hero whose thirst for vengeance is as destructive as the gods he seeks to topple. Cameron's characters are not here to restore order or uphold noble ideals; they are here to survive, to rebel, and to remind us that heroism often wears the most tattered cloaks. Cameron's prose is razor-sharp, oscillating between lyrical brutality and sardonic wit. The action sequences are visceral, choreographed with a precision that makes every sword swing feel consequential. This is no sanitized, romanticized fantasy warfare; it's blood, sweat, and existential dread, served with a side of gallows humor. Yet, for all its narrative prowess, "Against All Gods" is not without its indulgences. The sprawling cast and dense mythology occasionally buckle under their own weight, with chapters that stretch beyond their narrative elasticity. Some characters drift perilously close to becoming narrative filler, overshadowed by the sheer volume of voices vying for attention. And while Cameron's penchant for irreverence mostly hits the mark, there are moments where the flippant tone undercuts the story's darker, more poignant beats. But to dwell on these flaws would be to miss the point. "Against All Gods" is not a book that seeks perfection; it seeks impact. It’s an unflinching, gloriously chaotic tale that revels in its imperfections, much like the mortals and gods it portrays. Cameron doesn’t just tell a story; he throws you headfirst into a maelstrom of divine decay and human defiance, daring you to emerge unscathed. In the end, this is less a book and more a battle cry—against tyranny, against complacency, and, fittingly, against all gods.
Beschreibung
A vibrant and powerful epic set against an alternate Bronze Age, this tale of gods, men and monsters, conspiracy and war, is a rich, compelling and original read from a master of the historical and fantasy genres. The people caught up in toils of the gods are merely trying to survive. Victims of vicious whims, trapped by their circumstances or pushed beyond what the mortal frame can bear, a handful of god-touched mortals - a scribe, a warlord, a dancer and a child - are about to be brought together in a conspiracy of their own.
A conspiracy to reach the heavens, and take down the corrupt and aging gods . . . who are already facing troubles of their own . . .
An epic which draws on the Greek mythology of gods and heroes, this new trilogy is a must read for fans of Dan Simmons and Madeline Miller alike.
Praise for Miles Cameron:
'Utterly, utterly brilliant. A masterclass in how to write modern fantasy - world building, characters, plot and pacing, all perfectly blended. Miles Cameron is at the top of his game' John Gwynne, author of The Faithful and the Fallen series
'Cold Iron is fantastic. It shimmers like a well-honed sword blade' Anna Smith Spark, author of The Court of Broken Knives
'Promising historical fantasy debut featuring an expansive cast, an engaging plot, and a detailed eye for combat' The Ranting Dragon on The Red Knight
'Literate, intelligent, and well-throughout . . . a pleasingly complex and greatly satisfying novel' SFF World on The Red Knight
Buchinformationen
Beiträge
There are books that entertain, books that challenge, and then there are books like "Against All Gods" by Miles Cameron—a literary sledgehammer wrapped in mythological grandeur and dark humor. This isn’t just another fantasy epic with gods and mortals locked in an eternal chess game; it's a ruthless dissection of power, vanity, and the often grotesque absurdity of divine authority. Cameron pulls no punches, presenting gods not as ethereal paragons but as petty, megalomaniacal tyrants plagued by the same insecurities and vices as the mortals they disdain. Enkul-Anu, the paranoid king of the gods, rules not with wisdom but with the fragile ego of someone perpetually fearing his own irrelevance. His divine court isn’t a pantheon of awe-inspiring deities but a chaotic assembly of schemers, drunkards, and narcissists, each more delightfully detestable than the last. Amidst this celestial farce stand the mortals—ragtag, flawed, painfully human. Zos, the aging mercenary with a heart begrudgingly in the right place; Era, a fierce and unapologetically vibrant performer who refuses to be reduced to a mere side note in the gods' narratives; and Gamash, the archetype of the tragic hero whose thirst for vengeance is as destructive as the gods he seeks to topple. Cameron's characters are not here to restore order or uphold noble ideals; they are here to survive, to rebel, and to remind us that heroism often wears the most tattered cloaks. Cameron's prose is razor-sharp, oscillating between lyrical brutality and sardonic wit. The action sequences are visceral, choreographed with a precision that makes every sword swing feel consequential. This is no sanitized, romanticized fantasy warfare; it's blood, sweat, and existential dread, served with a side of gallows humor. Yet, for all its narrative prowess, "Against All Gods" is not without its indulgences. The sprawling cast and dense mythology occasionally buckle under their own weight, with chapters that stretch beyond their narrative elasticity. Some characters drift perilously close to becoming narrative filler, overshadowed by the sheer volume of voices vying for attention. And while Cameron's penchant for irreverence mostly hits the mark, there are moments where the flippant tone undercuts the story's darker, more poignant beats. But to dwell on these flaws would be to miss the point. "Against All Gods" is not a book that seeks perfection; it seeks impact. It’s an unflinching, gloriously chaotic tale that revels in its imperfections, much like the mortals and gods it portrays. Cameron doesn’t just tell a story; he throws you headfirst into a maelstrom of divine decay and human defiance, daring you to emerge unscathed. In the end, this is less a book and more a battle cry—against tyranny, against complacency, and, fittingly, against all gods.