Death in Venice

Death in Venice

Taschenbuch
3.327

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Beschreibung

The world-famous masterpiece by Nobel laureate Thomas Mann—here in a new translation by Michael Henry Heim with a new introduction by Michael Cunningham, author of The Hours “It is a story of the voluptuousness of doom,” Mann wrote. “But the problem I had especially in mind was that of the artist’s dignity.”Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.Amid this growing fixation, Venice is struck by an epidemic, and the once-idyllic city devolves into a decaying, ominous backdrop that mirrors Aschenbach’s inner turmoil. Overwhelmed by his unfulfilled desires and the tension between art, morality, and human passion, he chooses to remain in the city, unable to part from Tadzio's presence.The novella climaxes as Aschenbach, now physically and emotionally enfeebled, watches Tadzio from a distance on the beach one final time. As the boy gazes out at the sea, symbolizing purity and eternal beauty, Aschenbach succumbs to his own deterioration and dies alone.Through its rich symbolism and classical references, Death in Venice serves as a meditation on the transcendence of beauty, the frailty of human existence, and the paradox of longing for the unattainable.

Buchinformationen

Haupt-Genre
Romane
Sub-Genre
Klassiker
Format
Taschenbuch
Seitenzahl
160
Preis
18.20 €

Beiträge

3
Alle
1

After my holidays in Italy this year I somehow craved for a book which sums up about the beauty of Venice, a remarkable City I've visited so I've chosen to fresh up my memories while reading "Death in Venice" by Thomas Mann. This read turned out to lead to quiet a different path I've actually expected. To put it into a nutshell: Mann's novella tells the story of a german/preussian writer, Gustav von Aschenberg, who suffers from a writer's block and decides to travel to Venice. He's searching for inspiration and believes to have found it after meeting a beautiful teenage boy named Tadzio. Von Aschenberg never speaks with him. However he's struggeling between sense he build up many years ago and passion he tries to supress. And of course....there is a death in Venice! How unexpected, right? At the very beginning this plot sounded pretty promising. Inner struggle between right and wrong, a coming death, the protagonist's attempt to feel young again all these things leading to a bloody grecian tragedy.(note to myself: NEVER EXPECT TO MUCH OF A CLASSIC! The disappointment will be great...) Although Thomas Mann describes von Aschenberg's struggle quiet well, the rest of the story left me untouched. The narration is dry and (to me)lifeless so that you can't get into what happens nor can't you sympathize with the protagonist. "This story's about homosexuality/a forbidden relationship between an adult and teenager (...)" Whether I misunderstood it or people just exaggerate. To me it didn't seemed like a pedophile relationship because we can hardly say that there's a "real" relationship. It's more like a midlife-crisis von Aschenberg is facing and desperately tries to feel youthful again to change things in a better way and Tadzio who's described almost as a greek god, showed him that he can't turn time back. Like I already said, I was quiet disappointed about the fact that Mann didn't really catch the beauty of Venice and his charme. Well it's a short book so I'll forgive him. What I liked about the novella was Mann's "Special" writing style. In "Death n Venice" you can find a blending of mythology, allusion and symbolism which sometimes makes it difficult to follow the story without having read Plato, but if you're a fan of this kind of writing go for it. my fav. quote: “Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportianate, the absurd and the forbidden.”

1

After my holidays in Italy this year I somehow craved for a book which sums up about the beauty of Venice, a remarkable City I've visited so I've chosen to fresh up my memories while reading "Death in Venice" by Thomas Mann. This read turned out to lead to quiet a different path I've actually expected. To put it into a nutshell: Mann's novella tells the story of a german/preussian writer, Gustav von Aschenberg, who suffers from a writer's block and decides to travel to Venice. He's searching for inspiration and believes to have found it after meeting a beautiful teenage boy named Tadzio. Von Aschenberg never speaks with him. However he's struggeling between sense he build up many years ago and passion he tries to supress. And of course....there is a death in Venice! How unexpected, right? At the very beginning this plot sounded pretty promising. Inner struggle between right and wrong, a coming death, the protagonist's attempt to feel young again all these things leading to a bloody grecian tragedy.(note to myself: NEVER EXPECT TO MUCH OF A CLASSIC! The disappointment will be great...) Although Thomas Mann describes von Aschenberg's struggle quiet well, the rest of the story left me untouched. The narration is dry and (to me)lifeless so that you can't get into what happens nor can't you sympathize with the protagonist. "This story's about homosexuality/a forbidden relationship between an adult and teenager (...)" Whether I misunderstood it or people just exaggerate. To me it didn't seemed like a pedophile relationship because we can hardly say that there's a "real" relationship. It's more like a midlife-crisis von Aschenberg is facing and desperately tries to feel youthful again to change things in a better way and Tadzio who's described almost as a greek god, showed him that he can't turn time back. Like I already said, I was quiet disappointed about the fact that Mann didn't really catch the beauty of Venice and his charme. Well it's a short book so I'll forgive him. What I liked about the novella was Mann's "Special" writing style. In "Death n Venice" you can find a blending of mythology, allusion and symbolism which sometimes makes it difficult to follow the story without having read Plato, but if you're a fan of this kind of writing go for it. my fav. quote: “Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportianate, the absurd and the forbidden.”

1

After my holidays in Italy this year I somehow craved for a book which sums up about the beauty of Venice, a remarkable City I've visited so I've chosen to fresh up my memories while reading "Death in Venice" by Thomas Mann. This read turned out to lead to quiet a different path I've actually expected. To put it into a nutshell: Mann's novella tells the story of a german/preussian writer, Gustav von Aschenberg, who suffers from a writer's block and decides to travel to Venice. He's searching for inspiration and believes to have found it after meeting a beautiful teenage boy named Tadzio. Von Aschenberg never speaks with him. However he's struggeling between sense he build up many years ago and passion he tries to supress. And of course....there is a death in Venice! How unexpected, right? At the very beginning this plot sounded pretty promising. Inner struggle between right and wrong, a coming death, the protagonist's attempt to feel young again all these things leading to a bloody grecian tragedy.(note to myself: NEVER EXPECT TO MUCH OF A CLASSIC! The disappointment will be great...) Although Thomas Mann describes von Aschenberg's struggle quiet well, the rest of the story left me untouched. The narration is dry and (to me)lifeless so that you can't get into what happens nor can't you sympathize with the protagonist. "This story's about homosexuality/a forbidden relationship between an adult and teenager (...)" Whether I misunderstood it or people just exaggerate. To me it didn't seemed like a pedophile relationship because we can hardly say that there's a "real" relationship. It's more like a midlife-crisis von Aschenberg is facing and desperately tries to feel youthful again to change things in a better way and Tadzio who's described almost as a greek god, showed him that he can't turn time back. Like I already said, I was quiet disappointed about the fact that Mann didn't really catch the beauty of Venice and his charme. Well it's a short book so I'll forgive him. What I liked about the novella was Mann's "Special" writing style. In "Death n Venice" you can find a blending of mythology, allusion and symbolism which sometimes makes it difficult to follow the story without having read Plato, but if you're a fan of this kind of writing go for it. my fav. quote: “Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportianate, the absurd and the forbidden.”

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