I was very excited for this novel because many critics hailed this the “book you have to read this year!” A while back I had decided to stay away from current publications because time and time again, I was disappointed by texts that had been hyped and praised. Now I tried again and…well, I am quite disappointed again. This novel never managed to draw me in. I never started caring for any of the characters because they all feel distant, flat, often too constructed and thus inauthentic. There are quite a few instances in which a character acts or speaks in a highly dramatic fashion but that drama never feels natural or fitting. On a structural level, this novel is not really noteworthy. The author tries to present different voices in the many chapters of this text but these voices all feel the same - unison. As for the thing I have read most praise about, the language, I do not see what other people apparently see in this novel. It is the debut novel of a poet and many critics conclude that this shows, that despite some flaws, the language used in this novel is poetic and beautiful and so on. Quite frankly, I do not see it. Sure, there are some good passages / sentences here and there but nothing ever really stands out. I was never “wowed”. Often the poetic language was part of the drama that I have mentioned above. But as such, it felt cheap and unoriginal. Too many paragraphs in this novel end with forced similes, which follow the same structure: end of a sentence/paragraph + comma + “like…”. It actually became annoying. Finally, I feel that this novel was published too early. It feels unfinished, not fleshed out and would have needed some extra work. It does absolutely not justify the hype.
25. MaiMay 25, 2025
Martyr!: The Instant New York Times Bestsellerby Kaveh AkbarPicador

