CARACOLE (PICADOR BOOKS)
von Edmund White
Paperback
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Beschreibung
Product Description
In French
caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In
Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks,
Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
From the Inside Flap
In French "caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
About the Author
Edmund White was born in Cincinnati, Ohio, in 1940. His fiction includes the autobiographical trilogy
A Boy’s Own Story,
The Beautiful Room Is Empty, and
The Farewell Symphony, as well as
Caracole,
Forgetting Elena,
Nocturnes for the King of Naples, and
Skinned Alive, a collection of short stories. He is also the author of a highly acclaimed biography of Jean Genet, a short study of Proust, a travel book about gay America—
States of Desire—and
Our Paris. He is an officer of the Ordre des Arts et des Lettres and teaches at Princeton University. He lives in New York City.
From the Back Cover
In French caracole means "prancing"; in English, "caper". Both words perfectly describe this high-spirited erotic adventure by a writer whose novels possess the athletic grace of grand ballet. In Caracole, Edmund White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours. Together with his bewitching lover, Angelica, Gabriel navigates a glittering labyrinth of power and betrayal, snobbery and desire, in a novel that suggests a pas de deux between Nabokov and Balzac.
In French
caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In
Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks,
Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
From the Inside Flap
In French "caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
About the Author
Edmund White was born in Cincinnati, Ohio, in 1940. His fiction includes the autobiographical trilogy
A Boy’s Own Story,
The Beautiful Room Is Empty, and
The Farewell Symphony, as well as
Caracole,
Forgetting Elena,
Nocturnes for the King of Naples, and
Skinned Alive, a collection of short stories. He is also the author of a highly acclaimed biography of Jean Genet, a short study of Proust, a travel book about gay America—
States of Desire—and
Our Paris. He is an officer of the Ordre des Arts et des Lettres and teaches at Princeton University. He lives in New York City.
From the Back Cover
In French caracole means "prancing"; in English, "caper". Both words perfectly describe this high-spirited erotic adventure by a writer whose novels possess the athletic grace of grand ballet. In Caracole, Edmund White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours. Together with his bewitching lover, Angelica, Gabriel navigates a glittering labyrinth of power and betrayal, snobbery and desire, in a novel that suggests a pas de deux between Nabokov and Balzac.
Buchinformationen
Haupt-Genre
N/A
Sub-Genre
N/A
Format
Paperback
Seitenzahl
352
Preis
N/A
Beschreibung
Product Description
In French
caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In
Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks,
Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
From the Inside Flap
In French "caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
About the Author
Edmund White was born in Cincinnati, Ohio, in 1940. His fiction includes the autobiographical trilogy
A Boy’s Own Story,
The Beautiful Room Is Empty, and
The Farewell Symphony, as well as
Caracole,
Forgetting Elena,
Nocturnes for the King of Naples, and
Skinned Alive, a collection of short stories. He is also the author of a highly acclaimed biography of Jean Genet, a short study of Proust, a travel book about gay America—
States of Desire—and
Our Paris. He is an officer of the Ordre des Arts et des Lettres and teaches at Princeton University. He lives in New York City.
From the Back Cover
In French caracole means "prancing"; in English, "caper". Both words perfectly describe this high-spirited erotic adventure by a writer whose novels possess the athletic grace of grand ballet. In Caracole, Edmund White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours. Together with his bewitching lover, Angelica, Gabriel navigates a glittering labyrinth of power and betrayal, snobbery and desire, in a novel that suggests a pas de deux between Nabokov and Balzac.
In French
caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In
Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naïveté and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks,
Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
From the Inside Flap
In French "caracole means "prancing"; in English, "caper." Both words perfectly describe this high-spirited erotic adventure. In Caracole, White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours.
"A seduction through language, a masque without masks, Caracole brings back to startling life a dormant strain in serious American writing: the idea of the romantic."--Cynthia Ozick
About the Author
Edmund White was born in Cincinnati, Ohio, in 1940. His fiction includes the autobiographical trilogy
A Boy’s Own Story,
The Beautiful Room Is Empty, and
The Farewell Symphony, as well as
Caracole,
Forgetting Elena,
Nocturnes for the King of Naples, and
Skinned Alive, a collection of short stories. He is also the author of a highly acclaimed biography of Jean Genet, a short study of Proust, a travel book about gay America—
States of Desire—and
Our Paris. He is an officer of the Ordre des Arts et des Lettres and teaches at Princeton University. He lives in New York City.
From the Back Cover
In French caracole means "prancing"; in English, "caper". Both words perfectly describe this high-spirited erotic adventure by a writer whose novels possess the athletic grace of grand ballet. In Caracole, Edmund White invents an entire world where country gentry languish in decaying mansions and foppish intellectuals exchange lovers and gossip in an occupied city that resembles both Paris under the Nazis and 1980s New York. To that city comes Gabriel, an awkward boy from the provinces whose social naivete and sexual ardor make him endlessly attractive to a variety of patrons and paramours. Together with his bewitching lover, Angelica, Gabriel navigates a glittering labyrinth of power and betrayal, snobbery and desire, in a novel that suggests a pas de deux between Nabokov and Balzac.
Buchinformationen
Haupt-Genre
N/A
Sub-Genre
N/A
Format
Paperback
Seitenzahl
352
Preis
N/A