The Picture of Dorian Gray: Wilde Oscar (Penguin Classics)

What would you do to gain eternal youth, to be beautiful and young and highly respected forever and ever? In the first instance, you should think long and longer about such a yearning, because in the end, it is not external beauty which counts ... it is the beauty of your soul. A lesson Dorian Gray has to learn in one of the most gruesome ways you could imagine. "The Picture of Dorian Gray" is an absolute masterpiece, which is a compliment I rarely pay a book. Oscar Wilde can easily be considered to be a genius, which is why I included a few whole bunch of interesting quotes at the end of the review which provoke the reader to think about the story. The plot itself is probably well-known: the young man longing for eternal youth and paying a horrible price for his desires. In the context of modern literature, Wilde's novel is considered to be a classic and therefore often connected with long-winded plots lacking tension and pace. Both tension and pace are aspects you might be surprised to find in this novel. Not only is the writing eloquent and elegant, but also inciting you to continue reading page for page for page. Authors like Charles Dickens or Alexandre Dumas come to mind when talking of elongated novels with a lot of details which only add to atmosphere, not to plot itself, and Oscar Wilde could certainly have followed their paths ... but he didn't. Instead, he was able to create atmosphere out of his plot elements, to create plot twists out of the novel's atmosphere, to draw breathing characters and let them decide where the story heads. And he did so on a comparatively small amount of pages; not a single word felt redundant or out of place. It is nearly impossible to talk of this novel without revealing some of the plot elements (a lot of which surprised me out of nowhere and had me on the edge of my seat - it may be surprising to admit, but this classic novel was way more suspenseful than an Agatha Christie novel or a James Bond spy thriller - at least in comparison to those I have read). A lot of different characters were introduced during the course of the story: Basil Hallward, the painter of the portrait and infatuated with Dorian; Henry Wotton, an imperious aristocrat and friend of both Basil and Dorian; Sibyl Vane, a singer and actress Dorian falls in love with; James Vane, Sibyl's brother; and others among them. None of them appeared to be likeable (although I did feel sympathy for Basil), but they appeared to be realistic with their all too human longings and wrong decisions. Here follows a compilation of quotes I bookmarked during my reading experience because of their interesting background, their depth or the simple beauty of their words: (And yes, I did bookmark nearly half the book.) "[f]or there is only one thing in the world worse than being talked about, and that is not being talked about." "Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly - that is what each of us is here for." "The only way to get rid of temptation is to yield to it." "Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul." "You know more than you think you know, just as you know less than you want to know." "Nowadays people know the price of everything and the value of nothing." "Young men want to be faithful, and are not; old men want to be faithless, and cannot." "Experience was of no ethical value. It was merely the name men gave to their mistakes." "We are not sent into the world to air our moral prejudices. I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality selects is absolutely delightful to me." "Pleasure is Nature's test, her sign of approval. When we are happy, we are always good, but when we are good, we are not always happy." "[w]e live in an age when unnecessary things are our only necessities;" "There is a luxury in self-reproach. When we blame ourselves, we feel that no one else has a right to blame us. It is the confession, not the priest, that gives us absolution." "The more he knew, the more he desired to know. He had mad hungers that grew more ravenous as he fed them." "[n]o theory of life seemed to him to be of any importance compared with life itself." "Sin is a thing that writes itself across a man's face. It cannot be concealed." "Scepticism is the beginning of faith." "In the common world of fact the wicked were not punished, nor the good rewarded." "As for omens, there is no such thing as an omen. Destiny does not send us heralds. She is too wise or too cruel for that." "I have no terror of death. It is the coming of death that terrifies me. Its monstrous wings seem to wheel in the leaden air around me." "Death is the only thing that ever terrifies me. I hate it." "Why?" said the younger man wearily. "Because," said Lord Henry, [...] "one can survive everything nowadays except that." "The tragedy of old age is not that one is old, but that one is young."

Except for this very long, very boring chapter where he describes stones and jewels and the clothing of people nobody cares about (I get Wildes point, but come on... 20 pages???) it's pretty neat

Lyrisch virtuos

Voller satirischer Gesellschaftskritik, hat Spass gemacht. Sprachlich ein Genuss, Wilde war ein sehr geschickter Autor. Sehe nicht, warum so viele Dorian und Basil eine Romanze andichten. Regt zum Nachdenken über die Beziehung und Kontrast von Schönheit und Kunst, Muse und Künstler an, völlig unabhängig von körperlichen Leidenschaften.

Plot: ⭐⭐Characters: ⭐⭐World building: ⭐⭐Writing style: ⭐⭐⭐

A great classic! Felt quite philosophical and entertaining to me throughout the whole book, a bit sexist but well it was a different time… there were some slow moments in this book but all in all I really enjoyed it! The ending was PERFECT

4/5⭐️ Der Schreibstil von Oscar Wilde ist unvergleichlich—nicht von dieser Welt! Mit Abstand der wunderschönste Schreibstil, den ich je gelesen habe. Er ist sehr poetisch, atmosphärisch, metaphorisch, an manchen Stellen schon etwas melancholisch. Man möchte am liebsten jeden Satz anstreichen, selbst wenn es ein Zitat ist, mit dem man nicht übereinstimmt, einfach nur weil er so schön formuliert ist. Im Deutschen kommt der Schreibstil meiner Meinung nach fast gar nicht rüber; ja, er ist auch schön, aber einfach überhaupt nicht mit dem Englischen zu vergleichen. Die Handlung ist sehr interessant, lässt viel Interpretationsfreiraum, vor allem die Beziehungen zwischen Dorian, Basil und Lord Henry. Man kann definitiv sagen, dass Basil Hallward der Engel auf Dorians einen Schulter ist, der ihn immer auf den rechten Weg führen und vor schlechten Entscheidungen beschützen möchte. Lord Henry wiederum ist der Teufel auf der anderen Schulter, der Dorian zu vielem unguten Handeln motiviert, ihn bei schlechten Entscheidungen bestärkt und ihm ein unmoralisches Mindset einredet. Die Charakter-Entwicklung von Dorian war sehr interessant zu verfolgen. Zu Beginn des Buches ist er sehr unschuldig, lieb und einfach komplett rein—an machen Stellen wird er schon fast als kindlich und naiv dargestellt—und man merkt, wie er durch Lord Henry im weiteren Verlauf immer mehr „verdirbt“, was man dann an dem Portrait sehen kann, das Basil zu Beginn von Dorian gemalt hat und das nicht nur an Dorians Stelle altert, sondern auch die Male von all den Sünden trägt, die Dorian begeht. Zwischen den Zeilen der Konversationen der drei Hauptfiguren habe ich immer wieder Parallelen zum eigenen Leben von Oscar Wilde entdeckt, was alles nochmal viel interessanter für mich gemacht hat—es war, als hätte Wilde in jeden der drei Charaktere etwas von sich selbst gesteckt. Manche Stellen im Buch waren etwas langatmig, vor allem, als ich auf die deutsche Ausgabe gewechselt bin und nicht mehr den Anhaltspunkt des wunderschönen Schreibstils hatte, der mich so an das Geschehen gefesselt hat. Der Grund dafür, warum ich zur deutschen Ausgabe gewechselt bin ist einfach der, dass ich sonst Ewigkeiten geraucht hätte. Mein Plan ist es, das Buch in Zukunft noch einmal zu lesen und dann aber auf Englisch. Weil ich die Handlung schon kenne, werde ich hoffentlich etwas schneller vorankommen und auch in der Lage sein, beim Re-Read die wunderschöne Sprache und Wortwahl zu genießen. Das Buch lädt zu Unmengen an Diskussionen ein und ich bin sehr froh, es gemeinsam mit Jana gelesen zu haben, weil ich mich auf diese Weise mit ihr darüber unterhalten kann. Es werden Fragen über die Moral(-Vorstellungen), die Gesellschaft, das Schönheitsideal und so unglaublich vieles mehr in den Raum geworfen. So viele Themen werden kritisiert und neu beleuchtet, umgeschrieben oder in zum Denken anregende Worte verfasst, dass man gar nicht aufhören kann, über das Buch und die Charaktere zu sprechen. Die erste Hälfte des Buches hat sich viel auf die Atmosphäre und Charaktereinstellungen fokussiert und ja, das hat in der zweiten Hälfte definitiv nicht abgenommen, aber dort hat es auch viel mehr Handlungen, Geschehnisse und „Schock-Momente“ gegeben. Das Ende (womit nur die letzten 1-2 Seiten gemeint sind) war etwas vorhersehbar, was ich etwas schade fand, genau so wie den großen Zeitsprung etwas nach Mitte des Buches.

Plot: ⭐⭐Characters: ⭐⭐World building: ⭐⭐Writing style: ⭐⭐⭐

That ending was crazy, I never thought that something like that would happen, but anyway, the book is very good