Ein Mantel so rot (Maerchenspinnerei, Band 2)
Jetzt kaufen
Durch das Verwenden dieser Links unterstützt du READO. Wir erhalten eine Vermittlungsprovision, ohne dass dir zusätzliche Kosten entstehen.
Beschreibung
Beiträge
When I first saw the book in comparison to the others I couldn’t keep in the chuckle at how adorably short it is. At the same time did I fear that the 118 pages might be too short to tell a round story. Dude, was I wrong. The story is divided into two parts and an epilogue telling the story of Zoya in chapter-like episodes without actual chapter titles. Within these chapters the sentences themselves are rather short as well. It was weird at first if you’re used to elaborate writing styles, but I soon realized that no more description was needed to create the fitting atmosphere and the characters. E.g. are those scenes were Zoya interacted with the other villagers or was with a man only shorty or vaguely described, but that didn’t mean you didn’t get a bad feeling about some of them. One of the things I loved most about this story was that instead of the bite to become a wolf the old superstitions were used where you turn into a wolf by wearing a wolf pelt coat. The change through the pelt and the accompanying distrust was well portrayed, even if I can never understand why it’s always the wolfs’ fault if something goes wrong. Through the short descriptions no real connection to the characters is created, yet you can still feel the atmosphere they leave behind and you get a certain feeling about them. In the beginning I was skeptical about the length and the writing style of the book, but that soon changed. The short sentences and scarce description created a thick atmosphere where at some point it did no longer matter how detailed things were described. My personal highlight was the usage of the wolf pelt, as I have mentioned above, as that is really something modern werwolf stories usually ignore. In addition to that did the story manage to surprise me twice, both times at the end of each part. I didn’t expect them and the real ending was good and I believe somewhat important. Not every Fairy Tale can have a Happy End. The story alternates between relatively realistic and truly fantastical and is definitely something for more experienced readers and the tone is also completely different to the [b:first Märchenspinnerei-book|34234999|Der Axolotlkönig (Märchenspinnerei, #1)|Sylvia Rieß|https://images.gr-assets.com/books/1486925406s/34234999.jpg|55292302] and much more mature. Full Review: Barbara Schinko: Ein Mantel so rot
Beschreibung
Beiträge
When I first saw the book in comparison to the others I couldn’t keep in the chuckle at how adorably short it is. At the same time did I fear that the 118 pages might be too short to tell a round story. Dude, was I wrong. The story is divided into two parts and an epilogue telling the story of Zoya in chapter-like episodes without actual chapter titles. Within these chapters the sentences themselves are rather short as well. It was weird at first if you’re used to elaborate writing styles, but I soon realized that no more description was needed to create the fitting atmosphere and the characters. E.g. are those scenes were Zoya interacted with the other villagers or was with a man only shorty or vaguely described, but that didn’t mean you didn’t get a bad feeling about some of them. One of the things I loved most about this story was that instead of the bite to become a wolf the old superstitions were used where you turn into a wolf by wearing a wolf pelt coat. The change through the pelt and the accompanying distrust was well portrayed, even if I can never understand why it’s always the wolfs’ fault if something goes wrong. Through the short descriptions no real connection to the characters is created, yet you can still feel the atmosphere they leave behind and you get a certain feeling about them. In the beginning I was skeptical about the length and the writing style of the book, but that soon changed. The short sentences and scarce description created a thick atmosphere where at some point it did no longer matter how detailed things were described. My personal highlight was the usage of the wolf pelt, as I have mentioned above, as that is really something modern werwolf stories usually ignore. In addition to that did the story manage to surprise me twice, both times at the end of each part. I didn’t expect them and the real ending was good and I believe somewhat important. Not every Fairy Tale can have a Happy End. The story alternates between relatively realistic and truly fantastical and is definitely something for more experienced readers and the tone is also completely different to the [b:first Märchenspinnerei-book|34234999|Der Axolotlkönig (Märchenspinnerei, #1)|Sylvia Rieß|https://images.gr-assets.com/books/1486925406s/34234999.jpg|55292302] and much more mature. Full Review: Barbara Schinko: Ein Mantel so rot